- Full frame coverage
- Full manual control
- Fully geared for cine use
- EF native mount, adaptable to Sony E mount or MFT
409 Granville St. - Office 1210
Office: (604) 558-0105
After Hours Cell:
10-5PM Monday - Friday
Sunday - Closed or by appointment only, 24 hours notice suggested.
How many ways can you say “Zeiss Compact Primes are really really really nice” before it gets old? The 18mm is the perfect lens on the wide angle end of the CP.2 range. It won’t cover full frame (Canon 5D, Sony A7s, etc) but it will cover Super35 and then some (Arri Alexa, Red Epic & Weapon, C300, etc…) The T3.6 aperture is about equivalent to F2.8 on a still photo lens.
The Sigma 18-35 T2 Cine Zoom lens is based on the ART series 18-35. How do you make a good cine zoom? Start with the zoom that won nearly every lens award the year it came out and blew people away by being sharper than most prime lenses in its range. And now the T2 Cine Zoom version of the Sigma 18-35mm gives filmmakers an extremely low cost alternative that’s faster and wider than most cine zooms out there for a fraction of the price. Needless to say, we’re impressed.